"Both deeply loved their native land. Each had devoted decades to collecting and perpetuating its musical traditions and had become Hungary's greatest musicians. Although now physically safe in America, they were keenly aware that the world they had left behind was on the brink of extinction. It was with that crushing burden that they transplanted their culture to a new, hopefully temporary home, in the symbolic form of a recital at the Library of Congress, the shrine of intellectual freedom. (Although Szigeti lived until 1973, Bartok would die in exile in New York in 1945, never again seeing his country.) Both the style and the content of the recital seethed with emotional significance. This concert was nothing less than a deeply personal plea for an entire culture that was about to evaporate."
from a review of The concert given by Bartok and Szigeti on April 13, 1940 at the Library of Congress. They performed the following program:
Beethoven: Sonata # 9 in A Major, Op. 47 ("Kreutzer")
Bartok: Rhapsody # 1 for Violin and Piano
Debussy: Sonata for Violin and Piano in g minor
Bartok: Second Sonata for Violin and Piano
Béla Bartók (1881-1945) in 1909
Joseph Szigeti (1892-1973)
a crawlspace, where the scraps of lines and letters encountered throughout the day are stored as bookmarks for reference and later use
26.5.09
A single moment in time that would never recur
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